Painting — Drawing — Mixed Media
Figurative painter constructing cinematic, dream-lit interiors charged with the tension between comfort and confinement.
View the work ↓About
Xanthoula Mavridou is a figurative painter working primarily in oil, alongside ink, charcoal, and mixed media. Her paintings construct cinematic, dream-lit interiors — thresholds, stairwells, empty living rooms — charged with the tension between comfort and confinement. Her practice has developed through independent study and a number of painting workshops, and since September 2026 she has continued her training as a student of Bildende Kunst (Fine Art) at Alanus Hochschule für Kunst und Gesellschaft in Germany.
Artist Statement
Painting is my primary means of exploring the human experience and the mental processes that influence the way we perceive ourselves and the world around us. Through my work, I create imaginary, almost cinematic environments where the familiar coexists with the strange and unsettling. I am drawn to themes such as pleasure, confinement, escape, and fear — subjects that allow me to examine vulnerability, tension, and the fragility of perception.
My images often resemble dreams or hallucinations, existing in a space between reality and fiction. I use strong color contrasts and dramatic lighting to heighten emotional intensity and reinforce a sense of the uncanny. My compositions remain open to interpretation, giving the viewer room to explore personal readings.
The choice of bold colors — especially red — serves as a carrier of intensity, desire, and threat, amplifying the psychological charge of the images.
Influenced by artists such as Luc Tuymans, Michaël Borremans, Francis Bacon, Marlene Dumas, and filmmaker David Lynch, I am particularly interested in the darker areas of the subconscious, the psychological weight carried by the human figure, and questioning the perception of reality. Through painting, I seek not only to depict states of mind but also to challenge perception and provoke introspection.
As a young artist, I view my practice as an ongoing process of experimentation and self-discovery. Studying painting allows me to further develop my visual language, deepen my conceptual thinking, and expand my technical skills, while continuing to explore the complexities of the human psyche.